Impeach Bush and Cheney

9 May 2010

Kigali, Rwanda

I got stuck at a gusaba yesterday, as if it wasn’t strange enough to begin with. A gusaba is a traditional marriage ceremony. It precedes the actual wedding, and represents the process of bringing two families together through the negotiation of bride price. Aidah, our cook, invited us to the ceremony. As usual, we were the only mzungus there. On entering we received one of two responses, a blank stare or a inviting “you are welcome.” The location was outside of Kigali in a small umudugudu, or neighborhood. Driving in we saw Aidah walking along the side of the road in a traditional, draping fabric dress, yelling in Kinyarwanda to our driver. She told us to hurry as everyone was waiting for us to arrive so that they could start. We were instructed to sit on the second row, almost immediately behind the parents of the bride. The tent was constructed in a U-shape, one side for the family of the bride, the other for the groom. At the top of the U was a sort of altar with four chairs and several traditional objects- a bowl of beans, 10 milk jars, a Rwandan peace basket. Most of these things represent fertility and prosperity for the joining families. Everything was covered in varying leopard print fabrics and Rwandan baskets of all sizes.

On either side of the U, facing each other, were couches and small tables. A negotiator, usually a family friend, represented each family. These two men traded off arguments through a microphone in Kinyarwanda for about 20 minutes before the groom even walked into the tent. Dressed in flowing leopard print fabric and wielding a walking stick covered in goat fur, the groom and his groomsmen entered slowly and were seated near the back. Along with the groomsmen came several women that represented other potential brides in the family. At one point, the bride’s negotiator offered one of these women instead of the bride. Obviously, this was a joke, and the crowd laughed uproariously especially since this woman was approximately 50 years old.

What I found so strange about this ceremony was the juxtaposition of tradition and modernity. The attempt to maintain certain traditions was often compromised by the necessities of the present. The use of a microphone throughout the process was only the beginning. The bride was born again Christian, and refused to have alcohol during the ceremony. This contradiction of tradition was probably the most blatant, as beer generally plays a large role in this process. Instead, they used soda, mostly orange Fanta and Coca-cola. For example, at one point, the father of the bride is supposed to present the father of the groom with banana beer inside of a large Rwandan peace basket. Instead, upon opening the peace basket, a 2-liter of Coca-cola was presented. Humorous, yes. Traditional, no. At another point in the ceremony, each family has a sort of Rwandan wedding singer, each representing a shepherd of the cattle that is the bride price. Each came in to sing and dance about how beautiful and healthy the cattle were. At strategic points in their performance, an electronic “moo” came on over the PA. Both singers gave a flower to the bride’s family, and a pastoral stick to the groom’s.

This whole process takes around two-and-a-half hours. About two hours in, the bride appears. She was introduced by a series of dancers. First, the young females doing dances that represent cattle and fertility, followed by the intores, or male warriors. One of the intores, clad in his traditional headdress and fabric, wrap skirt was sporting a black t-shirt that read “IMPEACH BUSH and CHENEY.” Being the only Americans there that understood what impeach meant, we were the only people to notice how ridiculous this was.

Being in both Rwanda and Uganda for the past 4 months has made me almost immune to such awkward expressions of culture, but the tension between tradition and modernity is still almost unbearable to experience. The nostalgia for the past in these two societies is equally matched by a desire for the future, for development and all that comes along with it- capitalism, technology, Americanization. The love of American culture is almost palpable, as is the faith in the systems of American “success.” I feel sad and maybe a little bit guilty about this situation, and it’s probably because I have sub-conscious white guilt. Seeing how globalization has destroyed these traditions is disheartening, the death of culture. The imitation of Western culture is often associated with the loss of native tradition. But what I have realized is that this assumption is not really true. There is definitely a loss of tradition on some level, but it’s definitely not becoming homogenized with Western traditions. Like the pull of hyper-globalization, the pull of tradition is strong too. The gusaba I attended was probably not the same as one I might have attended 20 years ago, but even less so did it resemble anything I would find in the Global North.

I’m overcoming my former sadness regarding the loss of tradition, and instead recognizing the beauty in the joining of two cultures. Like the gusaba, I am witnessing the combination of two separate entities, becoming one, and making something new. I see expressions of this awkward cultural combination everyday; they’re entertaining, funny, strange, uncomfortable, and usually embarrassing. In the end, though, they’re African and recognizing how they are African is more important than looking for signs that they are not.